MAIKLING KUWENTO
Val Hall A

THEY RECALL or foretell the God of the Place as the God of Knowledge. In one of Its myths, It sold an eye for the purpose of knowing. In another, It hung dead on wood for three days for that very same acquisition. In yet another, It just knows; It has known and will eternally know everything. In one dusty corner of this infinite apprehension, It created the Hall.

At life's end, the scholar enters this Hall. The scholar is spirited away from his cessation by a cold Muse with too many names, each name conveyed or hidden in too many languages (for example, this entity is called the Chooser of the Slain). The Chooser installs the scholar in a grand amphitheater with manifold books and scrolls comprising its walls. The day breaks; the scholar infers that every permutation of every knowledge and language can be found in the great wall. This can be heaven; only, the scholar also marks the presence of numerous other academics.

Thus, the scholar engages in debates to establish solid claims upon the volumes and whatever truth these would yield. The academics grasp the brazen shafts of their respective axioms. Tongues are bows and words are arrows. Maps and models are mystic combinations of sword thrusts and shield parries. Footnotes are borrowed daggers. Even the slightest silence is a spear. Open fora are organized by desperate allies to defeat a number of opponents by uniting behind a single cleverly contrived formula. A clangor of lashing tongues, questioning stares, and gesticulating bodies issues forth and echoes back across battered, printed walls.

At the setting of the sun, the Chooser tallies the disputes and rebuttals and judges accuracy, soundness, and depth. The lesser intellectuals are left with books but also night. Some try to feel the characters or derive some knowledge by counting pages and measuring the scrolls with thumbs.

It is true that sometimes almost a twelfth of the scolastic horde overcomes as a mass by using interdisciplinary unifying systems. As one, they posit the singular verity of, eg, endlessly exploding lysosome sacs, subparticle 'particles', false imaginary numbers, the volume of spectral prophets, laughter, dinosaur dreams, parliament of weeds, stones, the true name of 'rainbow', termite galaxies, the shape of a crystal's womb, and the dread of colons in a psalm that is a limerick.

Just as true, sometimes there remains a sole champion. Sometimes, the winning word is 'No', denying the existence of the great hall and its books, the God and Its Chooser, the academics and their wounds, the self and its denial. In all cases, the Chooser delivers the triumphant to another room. In this room, there is nothing but light. There are no words, not even a memory of an idea.

The champion becomes blank in a banquet of blankness.

Sometimes, the scholar feels or creates a word. Many times, this word is akin to 'paradise'. Often, it is synonymous with 'self'. Whatever the feeling or idea, at the instant of its conception, the Chooser swoops and delivers the scholar back to another sunrise at the ampitheater; the scholar is left to marvel at infinite books and -somewhat later - other academics.

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As a little boy, Dennis wrote on walls. The vandal's still at it.

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