Philippine Journalism Review
Isyu 2.0
Mayo 3, 2001
 

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A Critique on Hypocrisy: The Live Show Controversy
By Vincent Adam Viaña

For the past few days the issue of morality versus artistic freedom has dominated the broadsheets, tabloids, news programs, and talk shows. It is an issue that has risen and subsided time and again for countless instances in the past: what is moral and what is not; what is pornographic and what is artistic? It is an issue that until now has never been given a satisfactory conclusion.

But if one will look deep within him or herself, carefully examine all aspects of the issue, and seriously reflect upon them, one will come to the realization that all this is not so much about the welfare of the people or of any general will as it is more about the whims and beliefs of individuals. There is no such thing as a "morality issue". Morality does not exist. That which so many so conveniently call as "morality" is not a well-defined standard of clean living for all people to live by. It is best depicted as an individual's personal code of honor; one's own perception as to what constitutes wrong or right. It is a concept that is relative, variable from one person to another. What's moral to you may be immoral to me just as what's moral to me may be immoral to you. The morality presented by a group, no matter how numerous they are, can never be considered as universal for it is nothing more than multiple individual beliefs that are at some point identical.

The clamor for censorship is fueled by personal opinions and perceptions as to what should be declared acceptable or not. It cannot be denied that there exists no clear-cut definition one can find as to what can be considered as pornographic or artistic. Even those who belong to the conservative or moralist groups find it hard, if not virtually impossible, to give an answer to the question at hand. Every answer ever given has all the elements of subjectivity. President Arroyo, in her March 22 statement regarding the movie Live Show, gives us an excellent example of this: "I have watched it. It is a well-made soft-core pornographic film. That's what I think of it."

The ultra conservatives, as I observed, present three basic arguments to the issue:

1. Filipino viewers are not mature enough for this kind of films;
2. movies should promote positive morality; and,
3. movies showing acts of sexuality and violence promote the increase of crime.

Although sound in their conviction, the arguments they have presented are questionable, misguided, baseless, or long since disproved. It is still, as was said before, a matter of opinion. How can they say that the Filipino audience is not ready for these kinds of films yet? Whoever said that movies were invented for the sole purpose of propagating moral values? What was their basis for implying that movies showing acts of sexuality or violence contribute to the increase in crime? To all these, one will always come to the same conclusion: NONE.

The ultra conservatives have no basis for judging the maturity of the Filipino audience. It is important to note that maturity comes from experience. The more a person encounters a situation, the more prepared he is to deal with it. The moralists argue that we are not prepared to handle the impact of the cinema, that sensitive movies will all too easily corrupt our minds. But consider this: society already exposes us to all the aspects of life. People already know about sex, violence, murder, corruption, crime, all those images moralists protest, before they even see them in a movie.

Contrary to what they to think of us, most people are realistic enough to discern between what is real and what is fictitious. We are not as ignorant, to believe that what we see in movies are true. As one person put it, this argument is an insult to the people. Who can truly judge our maturity other than ourselves? If ever we were not ready for this kind of movies, who is to decide when we can be deemed ready? The conservatives? Left in their hands, the Filipino audience will forever be considered "immature". Another "concerned citizen" said that movies are supposed to instill into the people positive moral values. To this, I have only one argument: show business. Like so many things in this world, movies or films are nothing more than tools. As to what they are to be used for remains in the hands of the person who wields them. It has, in the past, been used for propaganda, smear campaigns, education, and, yes, even in moral upliftment. But the purpose it is most often used for is entertainment. As the phrase "show business" implies, it is the business of show. Producers or filmmakers have no obligation to produce films to satisfy the tenets of any ideal. They are not responsible for any person's welfare other than their own. It is a business and they aim for profits. It is up to the people if they will patronize what filmmakers produce or not.

The claim that sexual or violent movies contribute to the increase of crime is a concept that has been disproved time and again in various studies. The ultraconservatives argue that by watching violent films a person will eventually become violent, that sexually explicit movies will drive a person to commit rape. In this they appear to base their assumption on the scattered claims of some individuals that they did what they did because they saw it in a movie (this most often involving rape cases where the suspect says that he did what he did based on what he watched). But as Carlitos Siguion-Reyna said, "what about the five million others who watched it and didn't commit the same crime?" It is a common fallacy that moralists are quoting as fact. Yes, it is true that there are those who rape after watching a sex oriented film. I will not deny its reality. But look deeper and you will find that the true problem is rooted somewhere else. Those people who claim to have been influenced by movies into committing crimes are almost all illiterate, who never received proper education or whose parents never gave proper guidance for them to become acceptable members of society. It can be said that ignorance, not influence, led them to commit a crime based on what they might have seen in a movie.

The real issue here is not about the fight for some ideal. It is all about rigidity and intolerance; a belief that "because I am right, all who think differently are wrong." These people who clamor for censorship cannot see beyond that which they want to see. They cannot understand for they do not wish to understand. What they want is to impose upon others their beliefs and ideals, for all people to live as they do whether they like it or not.

The very act of censorship based on personal perception and concepts is nothing short of tyranny, a blatant act of suppression of the people's right to choose. It is an act that cannot be justified by any reasoning—no matter how eloquent--they give. It is an act that goes against the most basic code of democracy, which can be expressed as thus:

Freedom of choice—the righteous act of self-determination. We have the liberty to know, to utter, and to argue freely-each according to his or her conscience. Every man has a right to utter what he thinks is true and every man has may knock him down for it. All men are born free and equal here. They have natural, essential, and unalienable rights.

The Constitution has given us this much. What I say, what I see, what I do some may view as destructive or unproductive. For this they may berate me, they can condemn me, or they can lecture on me. That is their choice. But whatever path I take they cannot impose. That choice is mine to make.

 


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MULA SA PATNUGOT:
Sa Pagbaba ng Tabing

IN THIS ISSUE:

Lost
By Gollum

Illusions and Elections
By Mong Palatino

Forfeited Privilege
By Miq Manalang

A Critique on Hypocrisy: The Live Show Controversy
By Vincent Adam Viaña

Senti
Ni Tembarom

MAIKLING KWENTO:

A Faint Cry of My Soul
By Guerera

Oras ng Paglaya
Ni Angela

The Courage to Go On
By StarGazer